Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Thursday, September 1, 2011

Exciting News!

I have exciting news to share tonight, readers!  Well, actually, first things first (and this is exciting, too) - my Halloween treasury, "A Dark Night of the Soul," tied for the win in the Time Travelers Team's contest!  So thanks to everyone who came over to Etsy and left a comment!  I appreciate the support!

I have even bigger news tonight, though, and it's something that I've known about for awhile but wasn't able to share.  From this point forth, you will be able to see some of my creations in person at the Arts Barn in Orwigsburg, PA.  I met the owner at the last craft show I did, and we got to discussing my metalwork and the possibility of my joining their gallery and selling some pieces on consignment.  I visited the Arts Barn in early August, and was really impressed - they have lots of amazing artwork of all different kinds by a variety of artists, all housed in a beautifully renovated barn.  It's also a gorgeous drive to their location just outside of Pottsville.

After visiting the gallery and setting up a meeting, I decided to design a collection specifically for them.  I knew right away what I wanted to do - I wanted to use beautiful fall colors, gemstone beads, birds and insects, and rusty looking patinas to capture the rustic, artistic character of the gallery and its location.  I've been working like crazy on this collection, and tonight I was rewarded when they accepted all six pieces!  Of course, I took pictures ahead of time to share with you:





These pieces can be seen and purchased at the Arts Barn, located at 3 Berry Road, Schuykill Haven, PA, 17972.  As much as I love Etsy, metal collage is so much more amazing when you can see it in person, so I hope some of you will make a trip up there to check out my work!


Oh, and by the way... in addition to these six pieces, they also kept one more.  It was originally intended to be a part of my Fall 2011 shop collection... which means that posting a picture would be giving too much away.  ;)  But you'll be able to see that line soon.  It's darker and more industrial, and should be posting in my shop within a couple of weeks.  I'll be sure to blog about it here, but keep an eye on the shop if you want first dibs!

Sunday, August 21, 2011

Adventures in Spinning: A Tale of Steampunk Yarn

Custom spinning... talk about pressure!  Someone has made a special request and is anxiously awaiting a beautiful, perfect skein of soft yarn spun precisely to their specifications.  Your creative freedom depends upon the extent to which they've decided to relinquish control over the design.  And then there's the giving away part... assuming you do attain perfection, you immediately have to package up your work of soft, fluffy art and ship it off into the great beyond.

I recently had the privilege of spinning for Boston-based jewelry designer and animal activist Claudia Bruno, who has become a great friend and mentor to me when it comes to jewelry design and metal collage.  Claudia and I hit on the idea of a steampunk art yarn while chatting on Etsy, and we both got really excited about the idea.  For me, the idea of spinning a steampunk yarn was fascinating, because it would involve spinning in hardware - Claudia and I discussed gears, watch parts, brass jewelry findings, and even pieces of barbed wire.  While I'd worked with a variety of different spin-ins in the past and thought I could use the same techniques, I knew that it would be a challenge to find exactly the right pieces of hardware that wouldn't be too heavy and that would fit through all of the orifices and hooks on my spinning wheel, but that would still give the yarn the beautiful steampunk look that we were trying to achieve.

I was lucky in that Claudia gave me almost one hundred percent creative freedom over the project.  The only things that we really decided on up front were that the yarn would be some shade of brown, with gold or bronze angelina sparkle, and that she would pick out the spin-ins from her own stash and mail them to me.  The first thing I did was search Etsy for the perfect spinning fiber, and I found it pretty quickly in a batt called "Sepia," from Unwind Yarn Company.  A little while after I received the fiber, a big bag of gears, beads, watch hands, and brass roses arrived in the mail.  Joy!  Only another spinner can imagine the excitement I felt when I looked at that stuff and pictured it in a skein of yarn.  A couple of weeks later, those gears and roses and watch hands and fiber had been transformed into a huge skein of remarkably plush and squishy steampunk yarn!


As for the process...

The first thing I did (after weeding out any pieces that wouldn't fit through the plying head of my spinning wheel) was to pull off small strips of fiber (about 1/2 thick and 3 inches long) and thread them through the metal pieces that had larger holes, such as the gears (you can see one of those in the picture above) and the watch hands (pictured below.)


I then spun a super bulky weight, thick and thin single, feathering in the strips of fiber with the metal pieces attached.  I spun this directly onto the plying head of my Lendrum DT, because the orifice and hooks are considerably bigger than on the regular one.

Once I had my single, I wound it off so that I could use the bobbin a second time, and then I used gold metallic sewing thread and threaded all of the smaller pieces (that is, the brass roses and very small brass beads) onto that.  I thread plied this with the single, allowing the occasional beehive to form, and not worrying too much about uniformity (this is art yarn, after all.)

The result was, in my opinion, spectacular.  Not to praise myself too much, but the results far exceeded my expectations when it came to this yarn.  I have to admit that there was a part of me that was afraid that this project would turn out to be a massacre... that the metal parts would be too heavy, or the thread plying would go haywire, and I would have to Claudia that I had ruined her yarn.  In the end, however, it was a wonderful challenge and a joy to spin.





I am so glad that I took on this project, and that Claudia allowed me the privilege of spinning for her.  I will definitely be working with watch hands again - in fact, I already have some on special order - and I'm still very much intrigued by the idea of that barbed wire...

So, our tale of steampunk yarn ends with success and the yarn's safe arrival in Boston.  Until next time...

Saturday, August 13, 2011

Collections

I have recently been giving a lot of thought to designing "collections."  By this I mean designing a series of items that aren't spontaneous one-offs, but rather a cohesive group with a unifying look, theme, and inspiration that is at least partially planned out ahead of time and that can be summarized and explained by the designer.

I'm not sure that I have many coherent thoughts on the matter so far, except that designing collections is hard.  Over the summer, I received a suggestion to organize my shop by collections, but the fact is that my pieces were too eclectic and I was unable to shoehorn them into categories.  So, while those existing pieces will remain in the shop (which is currently organized by medium... for example, "metal collage," "beaded," "knitted," etc.), designing a cohesive fall collection has been high on my list.

The problem is that it can be hard to design a collection without feeling restricted by the theme and look upon which you've decided.  What if you have an idea that doesn't fit in?  What if you start working and the concept changes and evolves?  What are the benefits and drawbacks to designing in this way?  Are you limiting your creativity?  Are you limiting your customer base?

For my readers (I think I'm up to 26 now... yay!), I'm curious... have you ever designed a "collection" before?  If not, would you try it, or would you find it to be too restrictive?  If you do design in collections, what are the benefits?  What is your process like, how do you choose a theme, and how do you handle changes during the creative process?


Images from Sarah Burton's first collection for Alexander McQueen, Spring 2011.